This is part of a book I just finished reading, called Fern Fever: The Story of Pteridomania, written by Sarah Whittingham. This book describes the popularity of ferns in the nineteenth century in all its aspects.

It could be possible that the idea of a book about ferns does not seem to exciting. Think again! This book will make you love ferns and fern-collecting, even if you only had lukewarm feelings about ferns before. This book is definitely a pleasure to read. Even though it contains lots of information, it is written in a very pleasant and comprehendible style. Throughout the book there are many colour plates and interesting images. The text is very well researched and thorough, so that it will be an interesting read both for people who are new to ferns and for the expert fern-lover. The book incorporates a lot of background information and general information on the nineteenth century, making it a good all-round book to read. Definitely recommended for everyone who wants to contract fern fever, or is already feeling feverish!

Topics included are: how to collect ferns, fern equipment, women writers, collecting and cultivating ferns, fern furniture, and more.

(Image Courtesy of the National Library of Australia, Canberra. From Fern Fever: The Story of Pteridomania (c) Frances Lincoln Ltd. and Sarah Whittingham. US $60.00.)

A downside might be is that the book is very extensive, counting 240 pages. It’s so thorough though that noone will ever have to write about ferns any more, it really covers every subject.

Weirdly, the front cover is an exact copy of an older book’s cover, which is reproduced inside the book. It seems just like the text was erased, and new texts inserted. It seems strange, for a book that is so well-researched, not to deserve it’s own front cover.

Anyway, don’t let that stop you! The book is available here: http://www.franceslincoln.co.uk/en/C/0/Book/3159/Fern_Fever.html

On Friday at 12pm, in celebration of National Antiques Week, there will be a live Twitter debate and Q&A on antiques and collectables.
Answering all your questions will be the creator of valuemystuff.com (and former director at Sotheby’s) Patrick van der Vorst on www.twitter.com/ValueMyStuff).

Here is the accompanying website: http://www.valuemystuff.com/our-experts

Firstly I would like to thank Geerte for creating this wonderful blog, I know many people have (like me) received a great deal of pleasure in reading it and I do hope you continue.

Victorian Lampposts, a family passion for the last 30 years, and despite common misconception, they’ve actually had a rather short lifespan to date. During the Victorian era, lampposts were quite different to the type we expect to see today. Mainly gas powered, a civil servant would be employed to perform his rounds at dusk and light each one in turn. Since the early 1900’s the lamppost has still stirred the same human emotions, if they’re dimly lit they become haunting and eerie, if they glow bold and bright they give us a feeling of safety and security. It’s strange to think how such an innate object can stir such feelings.
100 years later and the general public are increasingly fond of these pieces of Period Victorian architecture. Members of the public in a city suburb in Bristol recently complained when the Local council removed 30 Victorian lampposts and relocated them to a more fashionable and wealthy area.

For me and our small family business, this love continues, as we continue to enjoy, to restore and to recreate these timeless Victorian masterpieces, lighting up a small corner of our world whilst keeping integrity, craftsmanship and passion at the core of our efforts.
Picture taken of our latest Victorian Lamppost reinstalled in all its glory in Southport.

If you would like to know more about our Lamppost regeneration and recreation please see our Victorian Lampposts at EnglishLampposts.co.uk
Benjamin

Here is the short summary:
As in the original novel, our story follows two relationships: the tragic adulterous romance of Anna Karenina and Count Alexei Vronsky, and the much more hopeful marriage of Konstantin Levin and Kitty Shcherbatskaya.These four, yearning for true love, live in a steampunk-inspired 19th century of mechanical butlers, extraterrestrial-worshiping cults, and airborne debutante balls. Their passions alone would be enough to consume them—but when a secret cabal of radical scientific revolutionaries launches an attack on Russian high society’s high-tech lifestyle, our heroes must fight back with all their courage, all their gadgets, and all the power of a sleek new cyborg model like nothing the world has ever seen.

While the story mostly follows the lines of the original, and sometimes adopts entire paragraphs, a lot has changed as well. Much of the dialogue and inner thoughts and other more “slow” parts have been removed, and a lot of action scenes are added, with fighting, attacks, and lots of danger and suspense. Often, the added parts work really well with the story, and I often had to check whether something was original or belonging to the steampunk version. Sometimes it did feel a little weird, for example Vronsky’s fighting machine (a horse in the original version) is called Frou Frou, and at first the attacks by robots seem quite random (though this will become clear in the end!)

There are people who think a literature classic should not be tampered with, but I think it’s very nice to see a good story altered, modernized, and adapted to a modern reader. Android Karenina is a bit more fast-paced, and a bit more exiting, which might make it easier for some people to start reading a Tolstoy novel. It does not take the place of the original, it’s just a new and interesting version of the story, and it actually motivated to read Tolstoy’s version as well. I think Android Karenina was a very enjoyable book and a true pleasure to read!

Among other insights, the article reveals that the tour guides responsible for the safety and well-being of antebellum visitors to the cave were actually black slaves. This situation created a provocative racial dynamic, where whites (including many women) were subject to the authority and knowledge of these black men (one of whom, Stephen Bishop, actually reached celebrity status in the 1850s). The article is filled with all kinds of resources–and it discusses a number of literary invocations of the cave, including mock-archeological narratives that claim discoveries of long-lost white races of human and near-human creatures. Other oddities abound as well: underground huts for consumptives, sexual intrigue, moments of racial role-playing. I believe it is an entertaining and thought-provoking read. Perhaps most significantly, the essay argues that simply celebrating the heroic exploits of these rather exceptional slaves is both simplistic and problematic.

I think it’s a very interesting article, it’s not just about the history of slaves, but a lot of psychology and insights in human behaviour are described as well. You can read the article here!

“Of the making of cookery books there is no end; and I hold it to be rather a public benefit than otherwise that there should be scarcely a solution of continuity in the production of culinary manuals; because, although in the vast majority of cookery books (always excepting the late Miss Acton and the Happily living Miss Mary Hooper) there is usually a considerable proportion of nonsense, there is scarcely one (especially if it be compiled by a lady) that does not contain hints always entertaining and occasionally useful on the subject of household management. As to the Art of Cookery, it is rapidly retrograding, and will retrograde more swiftly still, as well-to-do middle class people grow more and more “stuck up,” and have their “set dinners” sent in from the pastry cook’s instead of having them cooked at home.” (From “The Illustrated London News” in 1882)

And this one, from the book “Paris Herself again in 1878-9″
“I have always fancied that one reason why cookery books are, as a rule, such an excellent property to the publishers thereof is that newly-married couples are in the habit of presenting a copy of the last edition of Francatelli or Mary Hooper to their cooks. The volumes are reasonably well bound, to be sure; but of all Places of Destruction I know none more ruinous than a kitchen; and in a very short space of time the cookery book comes to grief. Either the cat steals it — a cat would steal the new chimes of St. Paul’s, belfry and all — or the kitchen-maid lights the fire with it, or it gets into the cook’s drawer — that ‘chaos come again’ — and is seen no more. So additional copies of Francatelli or Mary Hooper are demanded, and the publishers dance jigs of delight.”

You can read much more about Mary Hooper and read her books as well, here! There I found this recipe for Warwickshire Pudding, apart from the suet it sounds fairly good!

Warwickshire Pudding
Butter a pint-and-a-half tart-dish, lay it in a layer of
light bread, cut thin, on this sprinkle a portion of two
ounces of shred suet, and of one ounce of lemon
candid-peel, chopped very fine. Fill the dish lightly
with layers of bread, sprinkling over each a little of
the suet and peel.
Boil a pint of milk with two ounces of sugar, pour
it on two eggs, beaten for a minute, and add it to the
pudding just before putting it into the oven; a little
extract of lemon or shred lemon-peel may be added
to the custard. Bake the pudding in a very slow
oven for an hour.

Gretna Green is where people eloped to who weren’t allowed to be married, it is quite a well-known thing in Victorian literature. You can read more about it here.

Also here you can see some Victorian advertisements, which I thought was nice.

This is the museum hosting the exhibition (the Drents Museum in Assen.)
To see much more pictures, go to the museum’s own Flickr page!

The museum is partially situated in an old trainstation, with Art Nouveau decorations that I think are very typical of trainstations.

These next images are not strictly Victorian but they’re nice and festive, so I thought you might like to see them as well.

This is the official trailer:

And a bit of Prince Albert, and the music in his heart… aww :)

Oh, the official website is here!